Karbid und Sauerampfer | |
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Directed by | Frank Beyer |
Produced by | Martin Sonnabend |
Written by | Frank Beyer , Hans Oliva |
Starring | Erwin Geschonneck |
Music by | Joachim Werzlau |
Cinematography | Günter Marczinkowsky |
Editing by | Hildegard Conrad |
Studio | DEFA |
Release date(s) | 27 December 1963 |
Running time | 85 minutes |
Country | East Germany |
Language | German |
Carbide and Sorrel (German: Karbid und Sauerampfer) is a 1963 East German film directed by Frank Beyer and starring Erwin Geschonneck.
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At 1945, in the devastated city of Dresden, Karl 'Kalle' Blücher - a former worker in the cigarettes factory - returns home, wishing to resume his job. The chief of the reconstruction team explains that the plant cannot produce cigarettes without carbide. He assigns Kalle with the mission to obtain the material. The worker travels to Wittenberge and manages to secure nine barrels, but his return to Dresden turns into a long chain of comical incidents: at first, a war widow named Karla allows him to travel on her wagon. Afterwards, he encounters greedy American soldiers, Red Army troops who confiscate some of his barrels and other obstacles. Eventually, after many adventures, he brings two barrels back and marries Karla.
Frank Beyer recounted that the script was authorized without unusual problems. But after the filming ended, the representatives of the East German Ministry of Culture were worried that the portrayal of Red Army soldiers as comical plunderers would offend the Soviet Union. The deputy Minister then took a copy of the film to Moscow and arranged a screening for a local audience. The attendants broke into a loud laughter during the viewing, and it was approved for mass screening.[1]
Actor Erwin Geschonneck told that "In Carbide and Sorrel we did not ignore the hardships of the time. We did not turn the people who rebuilt the country into a joke... We knew that, in spite of all the challenges back then, the people also had funny experiences and knew to laugh about them."[2]
The film was well received.[3] Author Joshua Feinstein noted that "the picture spared no one, including the Red Army, in its satire. The work also subtly undermined the official accounts of the GDR's history."[4] Seán Allan and John Sandford wrote that "it took a deceptively light-hearted look at the division of Germany" and was a "milestone in DEFA's history."[5] Catherine Fowler concluded that it was one of the "most prominent" examples of "DEFA comedies... relaxed enough to laugh at their own Germanness."[6]
Frank Beyer's codename in the Stasi files, Karbid, was inspired by the film's title.[7]
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